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Award-winning Korean author Hye-young Pyun, a writer who excels at creating and controlling her tragic heroes like a puppet master does a marionette, is my favourite Korean author in translation. Her works The Hole and City of Ash and Red are masterpieces of genre fiction which both carved out new niches within the psychological horror …

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In so many ways, the women of East Asian literature are the prominent voices of their cultures today. The best East Asian writers are women. In Japan and Korea especially, those writers who have the greatest clarity of mind and creative spirits are insightful, fascinating, and imaginative women. Women who speak for the sidelined and …

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So many of our greatest stories of terror and the supernatural come from faraway lands. A nation’s laws, customs, traditions, politics, and religion will have a profound effect on what kinds of stories they want to tell. Horror is a magnificent genre that takes heavy themes, chews them up, and spits them out as something …

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In 2016 this small Norwich-based indie press by the name of Strangers Press published a selection of chapbooks representing a range of unique Japanese voices in translation known as Keshiki (roughly meaning ‘landscape’). Three years later, they have returned with a new series: Yeoyu. Eight Korean short stories by eight Korean authors, translated by six …

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Grass is a starkly beautiful graphic novel which reveals the true-life story of a Korean ‘comfort woman’ during the Japanese occupation of Korea from 1910 to 1945. The occupation ended after the surrender of Japan at the end of World War II, following the destruction of Hiroshima and Nagasaki. Grass is a timely and gravely …

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Even if The Underground Village were to be underwhelming, it is worth attention for being perhaps the only collection of stories to come out of Japanese-occupied Manchuria (written by a lower-class female Korean communist born in what is now North Korea) that you’ll ever read. Fortunately, thanks in no small part to some witty and …

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