Representation of minority experiences in genre fiction is important for ensuring that art offers a more universal experience. But there’s more to it than that. Diversity of voices within genres like horror also allows that genre to be shaken up by new ideas and approaches to the medium. Queer horror books bring a unique voice to the genre.
The Best Queer Horror Books
The authors covered here are all imaginative, daring writers who are bringing the queer experience to the world of horror, and with that come unique terrors and monsters.
Fear is different for everyone, and the voices of gay and trans writers and characters bring forth new fears and ways of exploring them. And so, here are the best queer horror books out there right now, written by authors who are breathing new life into the horror genre.
Read More: Essential Horror Novels (Not by Stephen King)
Tell Me I’m Worthless by Alison Rumfitt
Written by British transgender author Alison Rumfitt, Tell Me I’m Worthless is a Shirley Jackson-esque haunted house novel fuelled by political and social rage.
This queer horror novel follows a pair of opposing protagonists who were once friends: a young, vulnerable trans woman who is being haunted, and a jaded, twisted transphobe. During their time at university, these two women spent a night at an abandoned and haunted house called Albion, and left the house very different and damaged people.
Tell Me I’m Worthless tracks the present-day lives of these women and gently unravels the history of the house Ablion, as well as what exactly happened on that fateful night. Full of anguish and terror, Tell Me I’m Worthless is one of the most haunting and raw queer horror books you’ll ever read.
Buy a copy of Tell Me I’m Worthless here!
Patricia Wants to Cuddle by Samantha Allen
Patricia Wants to Cuddle has one of the best horror novel titles of all time. The blurb explains that our protagonist, Renee, is one of four finalists on a Bachelor-esque reality show called The Catch, and the catch in question is a tech bro named Jeremy. So, who is Patricia? The question sends shivers down the spine! As it turns out, the season finale of The Catch is being filmed on an island where people have been known to go missing.
This is Otters Island, off the coast of Washington State. Hosting the show’s finalists and its crew is a widowed lesbian who knows more about the island than she’s willing to share. And during their first few hours on the island, members of the crew are sure they keep catching glimpses of an ape, or perhaps an enormous naked man, wandering the tree line and on the winding roads at night.
Patricia Wants to Cuddle isn’t just a queer horror-comedy; it is a daring novel that demands from the world a queer paradise where cishet people either die or stay far away.
Buy a copy of Patricia Wants to Cuddle here!
Queen of Teeth by Hailey Piper
American transgender author Hailey Piper has penned an incredible number of horror stories in her time, and her first horror novel was Queen of Teeth. This is a gnarly book about bodily autonomy, the American healthcare system, and self-control.
The morning after a one-night stand, protagonist Yaya wakes up with the sheets soaked in blood, and assumes her period has come early and unexpectedly. In actual fact, a full set of human teeth has grown at the entrance to her vagina, and the corporation AlphaBeta Pharmaceutical is to blame.
As she continues to transform in monstrous, terrifying ways, and the mouth in her nethers takes on a mind of its own, Yaya must fight against and run from the people who did this to her. With a lesbian protagonist, a trans author at the helm, and a story about changing bodies, as well as corporate and governmental control over our lives, this is one of the most deeply queer horror books you’ll ever read.
Buy a copy of Queen of Teeth here!
Manhunt by Gretchen Felker-Martin
Unapologetically angry, bloody, and harrowing, Manhunt is not for the faint of heart. Written by an American trans author, this is a disgusting and punk horror novel.
Manhunt is set in a post-apocalyptic world ravaged by a virus that specifically targets testosterone, and cisgender men have been reduced to ravaging, cannibalistic zombies. These man-zombies aren’t the only threat that our protagonists — a pair of trans women journeying along the USA’s east coast — face, however.
Amongst the survivors of this plague, most of whom are cisgender women, there are those who wish to hunt and kill the trans people who have managed to also survive the plague.
Manhunt is as viscerally bloody as a horror novel can possibly be, and is also very blunt in its aggression towards toxic masculinity and transphobic women. Both a clever twist on the post-apocalypse formula and a reaction to modern-day bigotry towards the trans community, Manhunt is one of the most daring queer horror books ever written.
Our Wives Under the Sea by Julia Armfield
Our Wives Under the Sea is the debut novel by British author Julia Armfield; a gothic novel about a married lesbian couple whose lives are tragically upended.
Leah spent six months at the bottom of the ocean on a research trip which should have lasted only a few weeks. Her time trapped in a submarine has changed both her mind and her body. Her wife, Miri, is relieved to have her wife back but quickly comes to realise that there is actually very little left of her wife at all.
We follow both of these narratives as the novel progresses, learning what eldritch horrors Leah encountered in the depths and watching on as Miri figures out what she should do next. Claustrophobia is, appropriately, everywhere in this gothic horror novel, as both women are trapped in one way or another: in their homes, in their minds, and in their memories.
Our Wives Under the Sea is a powerful gothic story of grief and loss, and one of the most harrowing queer horror books you will ever read.
Buy a copy of Our Wives Under the Sea here!
Sorrowland by Rivers Solomon
Written by UK-based non-binary American author Rivers Solomon, Sorrowland is a politically-charged piece of American gothic fiction.
This is a novel about the history of the USA’s relationship to Black people, specifically Black bodies. Our protagonist, Vern, is an albino Black teenager who has escaped an isolated cult commune. She gives birth to twins alone in the forest and then continues to run.
The story of a Black commune that rejects modernity and Americanisms eventually leads to bleak and harrowing revelations about White America’s treatment of the Black community. Written by a non-binary author, this is a novel featuring lesbian love, cult behaviour, possession, and so much more.
A truly startling and poetic piece of frightening American gothic literature, and one of the most politically powerful queer horror books on the shelves.
Buy a copy of Sorrowland here!
The Spirit Bares its Teeth by Andrew Joseph White
Written by queer, trans American author Andrew Joseph White, The Spirit Bares its Teeth is an enthralling and unsettling blend of historical fiction, horror, and urban fantasy. This is a YA novel filled with piss and vinegar. It lashes out against the history of cruelty dealt by white western patriarchy onto those considered to be “other”, cruelty that was often disguised as something just, necessary, and even scientific.
Our protagonist is a young man named Silas. Silas knows he’s a man, but society and his family have raised him as a girl. Born with the purple eyes that indicate to the citizens of Victorian England that he is in touch with the spirits of the dead beyond the Veil, Silas is raised to become the wife of a noble who will sire more spirit mediums.
After disguising himself as a boy at a gala, in order to obtain a seal that says he is a certified medium, Silas is caught and sent to a sanatorium for sick girls, overseen by an abusive headmaster and his subservient wife. There, Silas finds himself in contact with the spirits of the place and will uncover the true darkness of it.
Buy a copy of The Spirit Bares its Teeth here!
Bury Your Gays by Chuck Tingle
Chuck Tingle’s follow-up to the savvy, moving, and wildly successful Camp Damascus takes us to the messy and unethical world of modern Hollywood, and it’s a novel which once again showcases Tingle’s unique vision of humanity: as something bleak, corrupt, cynical, but ultimately redeemable. Misha is a closeted screenwriter of queer-coded horror movies and TV shows, and he will soon play victim to his own creations.
When the novel begins, Misha’s boss breaks the news to him that the two female protagonists of his hit TV show Travelers can either have their queerness abandoned by the narrative or they can declare their love and die in a blaze of glory. Misha calls this what it is: burying the gays, and he is sick of it. He fights back. And as soon as he does, the various monsters and villains from his stories appear in his life to threaten and attack him and his loved ones.
Bury Your Gays works as a wonderful critique on the ethics of intellectual property, artificial intelligence, and turning lives and cultures into storytelling tropes. It’s also a novel about authenticity and truth, both in fiction and in real life. Funny, heartwarming, and also often terrifying.
Cuckoo by Gretchen Felker-Martin
Felker-Martin’s follow-up to her debut horror novel Manhunt surpasses that novel in a number of ways, while also having a mouth full of just as many—and just as sharp—teeth. Cuckoo is separated into two parts, with Part 1 being set in 1995 and following a group of queer teens who have been abducted and taken to a conversion camp in the heart of the Utah desert. In Part 2, we learn what happened to these kids when they grew up.
Cuckoo reads like the monster child of Stephen King’s IT and the 1970s movie Invasion of the Body Snatchers (which is referenced more than once in the novel. In this desert lives a strange and dangerous thing that can wear the skin of those it preys upon, and it is hungry for these kids. They must band together to survive this monstrous predator, all while being tortured and “reeducated” by the just-as-monstrous people who run the camp.
Like Manhunt before it, Cuckoo is a visceral, raw, and nasty work of horror, drenched in copious amounts of blood (and plenty of other bodily fluids besides), but unlike Manhunt it’s a horror novel with a focus on love and companionship—our protagonists continue to love themselves and trust one another in spite of everything.
Managing and Other Lies by Willow Heath
Managing and Other Lies is a collection of six unsettling LGBTQ horror stories which opens with the titular Managing: a gothic novella about a nameless protagonist keeping a journal as they work at their new job cleaning a large and labyrinthine house at the edge of an English village. As they work, they reminisce about lost love and explore the corners of the house. Before long, they learn that they are not alone.
The house is occupied—though nobody told them it would be—by a woman who offers our protagonists gifts and the temptation of a better life, all in exchange for a few bits and piece of who they are. Another story follows a YouTuber dealing with an obsessive fan; one is written as a play script about a young trans woman coming out to her cruel mother; and another is a work of body horror about a baby born wrong.
These are twisted, uncomfortable tales echoing the styles and themes of Franz Kafka and Shirley Jackson. They creep under your skin and there they remain, making you feel itchy and nauseated. They’re not all easy reads, but they are all worth it.
Parallel Hells by Leon Craig
This is a collection of horror stories that spans multiple styles and genres, inspired by mythology, folk horror, and modern popular culture. While not all of the stories in here are explicitly queer (such as the shortest tale, which recounts the experiences and feelings of a bunch of wooden antiques), many of them are.
One stand-out story is that of a viking man and his forbidden love with a pacifist friend, told from the perspective of the viking’s jealous and murderous wife.
Another is the sinister story of a succubus who works amongst a diverse queer cast in a world of sex and kink. Then there’s the endless party which takes place in a house that offers people their deepest desires, and one man’s true desire is to transition.
There is a wonderful breadth of diversity in the queer representation and narrative stylings of Parallel Hells, one of the most unique queer horror books out there.
Buy a copy of Parallel Hells here!
What Moves the Dead by T. Kingfisher
Written by American horror author T. Kingfisher, What Moves the Dead is a daring and masterful retelling of Poe’s The Fall of the House of Usher.
This short novel tracks its protagonist as they visit the home of a pair of old friends after receiving a letter from them, but this house is hardly a home any longer. Taking the bones of Poe’s original story and building upon it in savvy and imaginative ways, What Moves the Dead is a twisted and terrifying short horror novel.
What makes it refreshingly queer is its protagonist’s non-binary identity, hailing as they do from a place in which soldiers give up their gender when choosing to serve their land. The non-binary twist in the tale, as well as the protagonist’s dedication to their country, adds significant personal depth to the character that helps to elevate this classic gothic horror story to new heights.
Buy a copy of What Moves the Dead here!
Read More: The Best Horror Novels Ever Written
The Cabin at the End of the World by Paul Tremblay
The novel which inspired M. Night Shyamalan’s Knock at the Cabin, Paul Tremblay’s American horror masterpiece is an exercise in tension and terror.
Taking place entirely on the grounds of a New Hampshire cabin, The Cabin at the End of the World follows a gay couple and their adopted daughter as their time together at the cabin is disturbed. An enormous man approaches the cabin and insists that he and his three friends must be let inside. They wield makeshift weapons which they insist won’t be used on the family.
After managing to force their way inside, these four invaders explain that they need the family’s help with stopping the end of the world. What follows is a story all about faith, cult behaviour, and trust, as the reader spends the entirety of the novel wondering what, if anything, is real.
Bloody at times, with shocking and eye-opening twists and turns, The Cabin at the end of the World is one of the most taut tales of suspense you’ll ever read.
Buy a copy of The Cabin at the End of the World here!
Things Have Gotten Worse Since We Last Spoke by Eric LaRocca
Part of the three-story collection of the same name, Eric LaRocca’s story Things Have Gotten Worse Since We Last Spoke is an epistolary tale about emotional control. Set around the year 2000, this story is written as a series of emails and instant messages between two women, one of whom is struggling to pay her rent and is selling off precious heirlooms.
The other woman makes her an offer: she’ll pay her rent for her, but only if they enter into a dominant/submissive relationship in which one does whatever the other says. Despite the fact that these women never meet in person, and all of this is read through email correspondence, the terror is visceral and incredibly unsettling.
The places this queer horror story goes are as unexpected as they are frightening. A brilliantly imaginative exercise in fear.
Buy a copy of Things Have Gotten Worse Since We Last Spoke here!
The Trees Grew Because I Bled There by Eric LaRocca
Following on from the huge success of Things Have Gotten Worse Since We Last Spoke comes this disgusting and depraved collection of short queer horror stories from Eric LaRoccca. These stories often focus on gay men and women and have a tense and uncomfortable focus on body horror.
For example, one story is a diary from the perspective of a woman whose wife has been diagnosed with cancer. However, her wife is also obsessed with experimental performance art that includes body mutilation and self-mummification.
Or a story about a gay couple who get chatting to an older straight couple at the park before realising their child has vanished, and was in fact stolen. To win their child back, they must play a cruel and insidious game of truth-telling that will tear their relationship apart. These are daring and deeply discomfiting queer tales of horror and terror, not for the feint of heart.
This Skin Was Once Mine by Eric LaRocca
Eric LaRocca is the king of the horror short story, and of the horror title. This collection is no exception in both regards. Four twisted tales, prominently featuring queer protagonists, each deliver a nauseating gut-punch of horror. The title story—and longest in the collection—tells the tale of a woman whose mother sent her off to a boarding school when she was nine. She hasn’t been home since, but the death of her once-beloved father has lured her back.
When she arrives home, she is shocked to find the state that her mother has been living in for so long, and we are also privy to flashbacks which reveal the truth about her relationship to her father. In Seedling, a young man’s father calls him to tell him that his mother has passed. When he goes home to help his father sort through everything, they both notice that they share identical wounds that reveal only blackness beneath their skin.
In All the Parts of You That Won’t Easily Burn, a man is asked by his husband to buy a special knife for a dinner party. The salesman at the store offers him the knife in exchange for a sadistic act: cutting his skin and slipping a piece of glass inside the wound. This leads him down a dark path of obsession. And in Prickle, two elderly friends reunite and decide to play a dark game they once enjoyed. The game goes to darker places than you can imagine.
It Came From The Closet, Edited by Joe Vallese
This is a non-fiction book; a collection of essays by various queer writers who are tackling the world of horror cinema. Each essay focuses on a film, or a theme which several films share, and examines that film of theme through a queer lens.
Many of these stories are personal and full of anecdotes; others are more analytical and academic in their approach to queer interpretation. If you’re a fan of horror cinema, this essay collection will reframe many of the classics in a fun, engaging, and thought-provoking way.